Lucy O’Hagan
Early in his memoir Native Son: The writer’s memoir, Witi Ihimaera introduced me to the idea that stories have a whakapapa. I had an image of a story travelling through generations of tellers and listeners, told in different places: a dinner table, a classroom, a wharenui, a road trip or perhaps as a whisper in a bed. And I imagine each teller and listener moulds that story into something that makes sense to them in their time and place.
I was recently told a metaphorical sort of story by my friend, the thoughtful and passionate GP, Nigel Thompson. It was a story that had been told to him by Richard Bolstad, who had been given the story by psychotherapist George Sweet. I don’t know Richard Bolstad at all, but if he is someone who passed a story from George to Nigel, I feel I would like him a lot.



As a nine and ten year old I spent six months in the local Children’s Hospital in Aberdeen. Rheumatic fever was one of the nasties at that time, and a number of the children in the ward were victims, all of us on bed rest, the treatment at that time. One method of self-amusement was reading. The Dimsie books, by Dorita Fairlie Bruce, were among the one or two books a week that my favourite aunt brought in for me.