Trish Harris
Last month I visited the hospital. Even when the reasons are straightforward, the experience is never without echoes.
Frame #1:
I am sitting in the café in Wellington Hospital’s atrium. From my table I can see an inner courtyard of tables and chairs and a sculpture of arches and lintel. The sculpture is actually a section of the old hospital entranceway, a familiar sight from when I was admitted as a child. But I am not a child. In this frame I am a poet, the writer of My Wide White Bed, a book of poems about being in hospital. Today I am here to talk to a staff member about the possibility of framing some of them for display in hospital corridors. Poems that will ring a little bell for today’s inpatients: We have a voice; you are seen. That’s what they’ll trill. Well, that’s the hope.
Frame #2:
After the café meeting, I head to my orthopaedic outpatient’s appointment. In this frame I am a patient. I answer the prioritisation form, trying to make my life fit onto a sliding scale. All I want is a referral to Orthotics, who have made my shoes for the past twenty-five years.
The registrar comes in, offers a smile and handshake. He examines my hands, says good tendons, fingers not crooked. Surgeries? Hips, four, I say, two revisions. He moves to my feet. Flat feet, he says, stiff. What about pain? Difficult to get around? I’ve adapted, I say, it’s different for someone whose life has been upended recently or for whom it keeps changing. I’ve had this for fifty-two years. I know how to do it.
Afterwards I think, why did I go on about coping? A friend says, he was looking at you through one frame and you were trying to get him to look through another.



“I’m going to be a nurse” had always been my answer to that perennial childhood question. It seemed to satisfy the questioner and happily deflected any further enquiry. When I was sixteen, five sturdy school friends organised a week’s trip, to a hut on the edge of Diamond Lake in Paradise Valley, near Glenorchy. To get there involved a bus trip from Dunedin to Queenstown, the Earnslaw Steamer to Glenorchy, a hitched ride to Paradise, then a walk. All this involved money, and I didn’t have any.



My mother’s name was Lesley Jenner. She brought me up to call her Lesley, because she said she was a person, not just a mother. Lesley was brought up in Dunedin in a Jewish family and was a quiet and polite person who never asked for much. She had green fingers and loved to be outside in nature. Her habit of mind was scientific. Lesley died in the autumn of 2019, a week before Pesach. Immediately afterwards, and for several months, I was occupied with the administration of her death. This followed a period of several years when I had been much occupied with Lesley’s life.