Heather Bauchop
There is wide debate about the cultural role of melancholia. American academic Eric Wilson writes of the dangers of bland candy-coloured happiness brought about, he says by swallowing pills. In Against Happiness: In Praise of Melancholy (2008) Wilson asks what we are to make of the American ‘obsession with happiness, an obsession that could well lead to a sudden extinction of the creative impulse, that could result in an extermination as horrible as those foreshadowed by global warming and environmental crisis and nuclear proliferation? What drives this rage for complacency, for the innocuous smile? What fosters this desperate contentment?’
What would be the effect of ‘annihilating melancholia’ – that ‘major cultural force, a serious inspiration to invention, the muse behind much art and poetry’?