Medical Humanities – Page 2

Poetry: “a long document about the species”

5 August 2019 2 Comments

Yoram Barak

Yoram Barak is a judge for the poetry competition Changing Minds: Memories Lost and Found, organised by the Dunedin Public Libraries and the Neurological Foundation of NZ. Find details on how to enter here.

I became aware of the importance of poetry through American poet Sharon Old’s poem, “Back Rub”. Originally published in her 1992 collection, The Father, the poem was reprinted in a special edition of The Lancet focused on Literature and Ageing. The poem chronicles the poet’s father’s dying, as well as her own process of acceptance and healing as she moves with him to his death and beyond.

In my work as a psychogeriatrician I often witness patients, caregivers, families and communities struggling through the journey of dementia as they are faced with the daunting loss of memory. Can poetry help us along that journey?

The loss of memories is experienced as the loss of “I”, of the core element of “self.” We grasp our sense of individual self and, in most Western cultures, push away the true meaning of impermanence. As dementia takes its toll we experience the impermanence of our memories and for most of us this is a horrifying insight. Poetry as a truly heroic attempt to capture the human condition is a major art form that can help transform the horrifying into the empathic.

“Grandma”: a story

5 August 2019 2 Comments

Georgia MacKenzie

Spending time with her grandkids was one of Barbara’s favourite activities. And so her heart swelled with love, as she glanced in her rear view mirror, to see four pairs of eyes and four small faces grinning back at her.

“All belted up?”

“Yes!”

They sat two-by-two, with the two youngest in the front tier and the two eldest at the back. Two sets of fairy wings. One tutu. One pirate sword.

They pulled out of the driveway and off into the streets, zipping through the lines of traffic, off swiftly to their destination. Off to try another café.

Grandma might not have been the most athletic, or the most agile, but she definitely came close to being the most wise. Her house was filled floor to ceiling with piles upon piles of books. And oh how she loved those books. Filled with adventures and romance and the collective wisdom of so many authors. Wisps of spiderweb blurred the line between book and floor. But if you dared to move one, she would know.

“There’s a system. Don’t mess with the system.”

[Read more…] about “Grandma”: a story

“I’m on my way, Nan”: a story

1 July 2019 Leave a Comment

Drew Davey

Ngaia has come home.

“Nan first,” she says. “I’m on my way, Nan”

She has thick waves of hair, naturally parted. Her eyes are as dark as the soil that she walks on, oblivious to the million pieces that shatter underneath her every step. A forgotten smile paints itself on her freckled face, rose-pink lips stretching to each corner, forming a number of creases on either side and an indentation on the right side of her cheek. A smile that was lost for so many years. A smile that should’ve come sooner. Regret sinks in.

Before she knows it, she’s at the river. It seems to have carved its way through the greenery even more deeply than she had remembered. She offers a reflection to the towering giants that sit along its bank. They hug the earth in such a way that they can move their limbs in every direction, picking and choosing to let the sun in. It’s like a game to them. A rustling against one another that resonates all through the forest. A welcome back performance. Just for her.

Composing ourselves

1 April 2019 1 Comment

Sue Wootton

New Zealanders are reeling after the atrocious events in Christchurch on 15 March 2019. We grieve for those who died, for those who have lost loved ones, for the injured. We think of the many people facing long recoveries from life-changing physical and emotional wounds.

If there is one thing about this terrible time from which I, and others, have drawn hope, it’s been the overwhelming response of connection, compassion and support. There has been a powerful communal instinct towards repair and healing. One manifestion of this is the urge to make. It’s in the service of this urge that so many of us have gathered flowers and arranged them in bouquets, sung together, walked together in silent vigil. Others have cooked meals, baked bread, provided transport or translated words. I happened to visit a wool store yesterday, and was invited to join in on a project that has sprung up to knit socks and face cloths for women from the local Muslim community. “We want,” said the shop owner, “to show that we care about our fellow citizens from top to toe.”

All over the country there are many more examples of people who have picked up tools and instruments to do their bit to create harmony and cohesion: brush stroke by brush stroke, stitch by stitch, note by note, word by word.

[Read more…] about Composing ourselves

“Poetry and Mindfulness”

19 November 2018 2 Comments

Sue Wootton

Whatever the advantages of the internet and the many technologies we use to leverage it, there is growing evidence that we are paying a price in distraction and in neurological changes that are affecting our ability to concentrate, to follow lengthy arguments – and perhaps even to empathize with each other.” – Bryan Walpert, Poetry and Mindfulness.

We citizens of the so-called developed world are living through a rapidly changing, fast-paced and information-dense time. We can trace the effects of this in our daily language. In a relatively short length of time, the digital age has appropriated certain key words, turning once qualitative terms into quantitative ones, and stretching the former meaning of words like ‘connection’ and ‘friend’ almost to breaking point. (I think also of terms once the province of human anatomy and communication, like ‘digital’, ‘fingerprint’, ‘face recognition’ and ‘voice technology’; and the emotional words ‘like’ and ‘love’.) Ostensibly we are the most connected and informed generations ever, yet loneliness, stress, cynicism, anxiety and depression seem endemic.

A Box of Bones (Part 2)

8 October 2018 4 Comments

Sue Wootton

This essay continues from Part 1, which you can read here.

At some point most evenings I would put down my pen and pull the box of bones towards me. The lid had a small brass hook which fastened to a matching brass eye on the base. I tapped the hook edgeways and, as it fell free of the eye, felt the box give, as if I’d unbuttoned a tight corset. Apart from the foot and the hand, whose bones had been wired together, the bones lay separated and higgledy-piggeldy. I might pick up whatever happened to be lying on the top, a rib perhaps, or the femur. At other times I needed to look more closely at a specific part of the body, and so I would fish around for that particular bone.

The knocking sound of bone on bone and bone on box comes back to me as I recall this. With practice I became good at fishing blind, my eyes on Gray’s Anatomy and one hand in the box, delving. The scapula is like a large empty scallop shell. The humerus and the fibula are long sticks. The humerus is thicker, and knobbled top and bottom. The fibula is more like a giant’s toothpick or knitting needle. A patella sits comfortably in the palm of the hand, and has a satisfying contoured shape, like a large limpet. I noticed, too, the patella’s heft, its stone-like solidity. Most of the rest of the bones in the box didn’t feel this way. They were very light in the hand, almost like holding sticks of chalk. Had they been buried, or cremated, of course, they would be less than chalk by now. They’d be dust. Perhaps beyond dust: loam, clay. Shakespeare has Hamlet imagine Alexander’s bones fully recycled in the earth, becoming clay to stop a bunghole. To what base uses we may return, Horatio.