Sue Wootton
This essay continues from Part 1, which you can read here.
At some point most evenings I would put down my pen and pull the box of bones towards me. The lid had a small brass hook which fastened to a matching brass eye on the base. I tapped the hook edgeways and, as it fell free of the eye, felt the box give, as if I’d unbuttoned a tight corset. Apart from the foot and the hand, whose bones had been wired together, the bones lay separated and higgledy-piggeldy. I might pick up whatever happened to be lying on the top, a rib perhaps, or the femur. At other times I needed to look more closely at a specific part of the body, and so I would fish around for that particular bone.
The knocking sound of bone on bone and bone on box comes back to me as I recall this. With practice I became good at fishing blind, my eyes on Gray’s Anatomy and one hand in the box, delving. The scapula is like a large empty scallop shell. The humerus and the fibula are long sticks. The humerus is thicker, and knobbled top and bottom. The fibula is more like a giant’s toothpick or knitting needle. A patella sits comfortably in the palm of the hand, and has a satisfying contoured shape, like a large limpet. I noticed, too, the patella’s heft, its stone-like solidity. Most of the rest of the bones in the box didn’t feel this way. They were very light in the hand, almost like holding sticks of chalk. Had they been buried, or cremated, of course, they would be less than chalk by now. They’d be dust. Perhaps beyond dust: loam, clay. Shakespeare has Hamlet imagine Alexander’s bones fully recycled in the earth, becoming clay to stop a bunghole. To what base uses we may return, Horatio.
Billed as a “one day extravaganza of poetry”, New Zealand’s 
The living room was a riot of freshly picked forget-me-nots. Every corner of the room was filled with vases and bottles, the little blue flowers exploding everywhere. In the middle of the room the usual furniture had been pushed back or taken away. A coffin, occupied, lay there, with two hardback chairs facing it. Made of walnut, the box was simple and unadorned. The deceased lay in state. The body was wearing a midnight blue dress, white face so pale against the dark surrounding it. A small bouquet of forget-me-nots was clutched in cold, stiff hands.
For hundreds of years doctors have been placed on a pedestal, achieving a form of celebrity and authority over the lay person. Only doctors, went the logic, understood the confusing puzzle that is the human body. Only doctors could translate its strange signs and symptoms into a language that made sense. This attitude gave rise to paternalistic medicine, a system that implies that an individual’s healthcare is the sole responsibility of the physician. Paternalistic medicine gives the physician the power to make whatever decision they think is in the patient’s best interests, regardless of the actual capacity or desires of the patient.