Barbara Galland
I can’t remember where I came across this cartoon, but it’s one that irritates me. The teenage bird with the cool-dude-backwards-cap assumes the stance of a seasoned raconteur. With one deliberate wing gesture, he begins: “Actually” (proclaiming absolute authority on the matter), “my species is not nocturnal: I’m just a teenager”. Of course I’m just assuming he’s a he-bird, but even if he’s a she-bird, it doesn’t matter. The cartoon sends the wrong message. It labels all teenagers as being rebellious on the matter of sleep.
The higher authority, the owl, listens intently, but has no wise offerings.
Let me be a human ‘owl’ for a moment. ‘Sleep’ is my job. Sleep is my passion. I’m a child health sleep researcher, and naturally I sleep. My species is diurnal and I have some wise offerings on the matter of teenage sleep.


It always seems impossible until it is done.” – Nelson Mandela.


For years, as as an art educator and artist, I’ve had an ongoing preoccupation with body parts, especially with anatomical systems and human organs as artistic imagery. This fascination has lead me to research a variety of vintage anatomical illustrations by scientific and medical artists such as Georg Stubbs, William Braune, Nicolas Henri Jacob, Anton Nuhn and Leonardo da Vinci.


Consider the term ‘medical science’. Easy. For most of us it conjures laboratories, test-tubes, scientists in white coats, evidence-based research, miracle medical breakthroughs. Medical science trips off the tongue so naturally – it’s surely one word, not two. The bond between ‘medical’ and ‘science’ is super-glued. It’s solid and unbreakable. We’ve closed the gap between these words, left no cracks to fall through. Medical science: a term to lean on, a term to trust.