Professor Terence Doyle
Like most works of art, William Hogarth’s The Company of Undertakers has hidden depths. The early eighteenth century was a time of increasing freedom of expression, associated with the rise of a thinking middle class in society, after the Revolution of 1688. Hypocrisy in social and moral values came under particular scrutiny; and satire was a popular vehicle for such criticism.



Everyone knows what a scream sounds like. But do you know what it looks like?


‘The Faculty of Medicine is undertaking major course revision’. This statement is from a 1995 University of Otago memo. Part of this revision focus was a proposal that the Humanities Division provide a suite of Elective papers for third year medical students. There was already a self-directed option on offer, in which—in consultation with a willing staff member—students had 10 hours a week for five weeks to follow a particular interest. As classes had grown in size, this system had become unwieldy and it was suggested that a more systematic programme of Humanities Electives would broaden students’ appreciation of the art, as well as the science, of medicine.