David Goodwin
The word “mapping” usually gets my attention, so I was intrigued to read Laurence Fearnley’s Corpus post, Scent mapping, Signal Hill. I imagined that she would have created a depiction of Signal Hill with delineated areas where certain scents predominated, probably colour-coded and overlapping syllogistically in places. In other words, scents experienced in real life would be mapped to defined areas on a small scale pictorial representation of real life. Captions would be along the lines of “Here be lavender,” and “Bracken, with the bouquet of gorse in season”. This was a map that I really wanted to see, and to sniff at. But Laurence’s article and a subsequent email disabused me. She saw her map as “dynamic rather than static, with ‘map’ being more of a verb than a noun.” More along the lines of what Alfred Gell refers to as a “mental map”: a process, not a picture. The Signal Hill scent map existed in Laurence’s brain, not on paper.




Dr Katherine Hall


In her early twenties, Majella Cullinane set out to explore Africa, the continent she had longed to visit since reading 